Jamie Klein is an out-of-work butch lesbian actor willing to try almost anything for a role. Femme, Butch, and Male Jamie all make appearances throughout this quirky, gender-bending comedy about struggling for success in Hollywood.
Full disclosure, I was sent a review copy of this film by the lovely folk over at Peccadillo Pictures. From the outset, to me it looked like yet another badly shot, badly acted Indie lesbo film. But there's low budget Indie films that work (like It's In The Water), and there's crap Indie films with bad production values and no script (like almost everything else), and I'm past the days where I'll watch anything just because it has lesbians in it. OK, that's sort of a lie, but still.
I was dubious. A film where a girl pretends to be a guy in order to take the lead role in an Indie film because that's the only way she can get a job? Sceptical doesn't even begin to cover it. But this was kind of fun. I was even giggling. Michelle Ehlen is kind of adorable. In short, this is an all right movie.
Jamie, our titular heroine (Writer/Director Michelle Ehlen), is an out of work actress who tries too hard in auditions, turning up in dresses looking like a drag queen because she thinks that's what it takes to get casting agents to notice her. She has a flatmate, Lola (Olivia Nix), who is the owner of a cat who gets more parts than Jamie does. In fact, Howard is a cat actor supremo with a killer show reel to prove it, whereas Jamie is unemployable.
One day, inspired by Howard's success (and Lola's insistence), Jamie simply turns up to an audition as herself, and nails it. She's offered the part - as a man. Initially reluctant, Jamie takes the role and pretends to the cast and crew that she is indeed man-Jamie. She catches the eye of her castmate Jill and begins a fllirtation, until everything starts to go downhill and Jamie is forced to truly confront what it means to be honest with herself and those around her.
As a plot it's simple enough. Indie films live and die by their scripts, and this one is a cracker. The jokes do fluctuate between laugh-out-loud funny and cringe-behind-a-pillow, but there's enough of the former to keep things on track, with some lovely sight gags to boot, showing Ehlen's talent for physical comedy. Lola is a great foil for Jamie, unexpectedly witty and charming. Howard the Cat is hilarious too!
Inevitably when the film does get down to the business of sorting out the moral dilemma it does start to drag (pun not intended). Jamie shows herself to be a stand-up gal in the end, with a deeper moral depth than we've been led to believe. It's what you'd expect, and the film frankly wouldn't work if Jamie had remained a selfish bitch throughout without hope of redemption
I don't think it's a great expose on the pitfalls and perils of Hollywood as I've read in other reviews. It's more an expose of what it's like to be an out of work actress, and you know, that's OK too. Indie films with modest storytelling goals are often the most successful, and the sweetness of the romance in this was pleasantly unexpected. It displays a subtlety in writing and directing working with zero budget that trumpets Michelle Ehlen as a real talent to watch.